NATIONAL GALLERY OF MODERN ART AND THE INDIA-BHUTAN FOUNDATION PRESENTS ?BHUTAN: AN EYE TO HISTORY?

New Delhi: National Gallery of Modern Art and the India-Bhutan Foundation presents ‘Bhutan: An Eye to History’; an exhibition of more than 80 photographs in colour and black and white from December 23, 2009 to January 31, 2010 at National Gallery of Modern Art, Jaipur House, India Gate, New Delhi.

Says Prof Rajeev Lochan, Director, NGMA: “The photography exhibition, divided into three parts includes the early photographic records of the Himalayan kingdom of Bhutan, close ties of friendship and co-operation between India and Bhutan since the historic treaty of 1949 and a remarkable debut photographic work of His Majesty Jigme Khesar Namgyel Wangchuck, the King of Bhutan.”

SECTION 1: HISTORY OF PHOTOGRAPHY IN BHUTAN

A distinct section deals with the history of photography in Bhutan, showcasing rare pictures from the 19th and 20th century. These images, recording the British Mission headed by the Hon. Ashley Eden to Bhutan in 1864 have never been displayed before. Photographs of His Majesty Ugyen Wangchuck, the first King of Bhutan’s visit to Calcutta in 1905 and to attend the Delhi Durbar of 1911 are amongst important archival photographs being exhibited for the first time.

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SECTION 2: INDO-BHUTANESE TIES SINCE 1949

The use of the photographic image to create a national narrative has several parallels across the world, but to include friends of the nation in this narrative seems to have been enthusiastically imbibed by successive generations of photographers, both in India and Bhutan. This collection focuses closely upon the visits of political leaders from India to Bhutan and the reciprocal journeys made by Bhutanese leaders to India. The selection of images looks at the genre of documentary and press photographs and the slot created by them in the official narrative of nations. The democratizing lens of the camera goes on to capture Bhutan as it steps into the new century and is increasingly visible as the newest entrant to the world’s democracies.

SECTION 3: WORKS BY KING OF BHUTAN

The final section displays the debut photographic oeuvre of His Majesty the King of Bhutan. Popularly known as the People’s King, His Majesty Jigme Khesar Namgyel Wangchuck has traversed the length and breadth of his country, often by foot.  His photographs are both an objective record and personal testimony of his empathy and engagement with his nation. Bhutan remains an idyll, and these transparent pictures are not airbrushed with sentimentality or morphed to disguise lurking shadows.

The exhibition has been curated by Pramod Kumar KG, with support from Lily Wangchhuk and Namita Gokhale. The India Bhutan Foundation, co-chaired by Pavan K. Varma, Indian Ambassador to Bhutan, and General V. Namgyal, Bhutanese Ambassador to India, has extended invaluable support as has the Public Diplomacy Division, Ministry of External Affairs, Government of India.

The charm of the exhibition, thus, lies not just in being able to travel back to a period in history that will never come back, but also get an invaluable sociological document from decades ago.

The Museum of Modern Art, a sensational repository of modern artwork

 

The Museum of Modern Art in New York is a highly esteemed and well known establishment, sometimes regarded as the most significant modern art museum on the globe. Its main focus is the collection and development of modern art, in which it has been remarkably successful. The museum’s present collection encompasses paintings, drawings, works of design and architecture, photography, sculpture, prints, film, illustrated and artists’ books as well as the electronic media. Additionally the museum possesses archives and a comprehensive library containing files on over 70,000 artists and more than 300,000 books in addition to a multitude of periodicals and artist books.

 

The museum features some of the most important works of renowned artists such as The Starry Night by Vincent van Gogh, Les Demoiselles d’Avignon by Pablo Picasso, The Dream and The Sleeping Gypsy by Henri Rousseau, The Persistence of Memory by Salvador Dali, Campbell’s Soup Cans by Andy Warhol, The Dance by Henri Matisse and Water Lilies by Claude Monet among many others.

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Innovative exhibitions have been a particular forte of the Museum of Modern Art, with themes ranging from particular artists to the different schools and aspects of modern art. Recent exhibitions have featured such themes as the works of Mexican artist Gabriel Orozco, who is considered to be one of the most original artists of his generation, with his work blurring the boundaries between photography, drawing, installation, sculpture and painting.

 

An exhibition titled ‘Picasso: Themes and Variations’ traces the development of Picasso’s art in the field of printmaking, including his works in the Blue and Rose phases through to his innovations in Cubism.

 

The intriguing exhibit titled ‘The Modern Myth: Drawing Mythologies in Modern Times’ chronicles the influence of mythology on art, and the role of mythology in the development of the creations of a wide cross-section of artists.

 

For the traveler in search of New York hotels, the online portal NewYorkHotelseye.com provides relevant information and provides the facility to book hotels New York online.

Course Digital Photography- Free Related Fact For Digital Camera For Underwater Photography

Photography is loved by plenty of folks nowadays because it provides a great creative outlet amidst busy workdays and hectic schedules. All you must do is just go and acquire a digital camera, point to a subject, shoot, et voila, you’ve captured a moment inside your life. It’s straightforward if you’re the kind who is satisfied with just easy photographs.

Locating specific info about course digital photography may well not be easy but we have gathered extremely helfpul and relevant info concerning the general subject matter, with the ultimate aim of helping you out. Even if your search is about other course digital photography details, such as course digital photography,photo studio, online photography courses or even this post will prove really useful, to say the least.

Panoramic photography focuses to capture a wide view of a landscape, not just a specific part of it. It’s a complex sort of photography that demands particular methods and tools to create. You are able to discover how it really is carried out in this comprehensive simple to realize tutorial.

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Self timers are good for other situations, too. Are you currently interested in creating long exposures of vehicles driving over the Golden Gate Bridge at dusk? Once again, secure your camera on a tripod, then trip the shutter using the self timer. By performing so, you stop accidental jarring of the camera as you initiate the exposure.

INTERVAL — Did you notice so far that this write-up is indeed related to course digital photography? If not, go ahead and read on. You will find more information that may assist you to as regards course digital photography or other related course digital photography,photo studio, online photography courses or digital photography schoo.

Am a huge fan of #2, #7 and #10. The example snaps are nicely taken.

The basic principles of composition rely on the foundations for providing a pleasing portrait that viewers will enjoy for years to come. I thought about places that would influence folks to see composition in every day life, as well as the museum is one of those places. Many people have a natural talent for art and swiftly see all of the elements required for a pleasing image. I,

on the other hand, had to spend a lot of time studying other artist’s work-as properly as my own. Although I’ve traveled the globe, a number of the best exhibits I have seen were in my own city. A great deal of museums have traveling displays, exactly where you are able to see a variety of exciting, new function which will inspire your creativity.

Several folks looking for online for articles relevant to course digital photography also sought for articles about course digital photography,photo studio, online photography courses, as well as digital photography schoo.

By and large, there’s still much more to discover about the digital aspect of photography. A few of the problems becoming deliberated are concerned using the image quality, price of production, the features of digital camera and extra amenities. These problems are taken into account to make the world of photography a lot more accessible to the folks.

Through an extensive portfolio of student and faculty projects, in-depth interviews, and demonstrations of photo labs and equipment, this bilingual video profile showcases everything that the Photo Program has to offer. Recognizing that contemporary photographic practice encompasses a rich multiplicity of formal and conceptual approaches, the Photo Program encourages students to look beyond the image. studio-arts.concordia.ca
Video Rating: 5 / 5

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Wolf Conservation Through Art



The intricate social order of the wolf pack is as unique and caring an environment as one will find in nature. A strong male and female form the nucleus of this family. As with any possible courtships, first impressions are everything.

Very few species have undergone the bad rap in public perception, as has the wild wolves. For decades this feared and often hunted creature has disappeared in many areas of Canada and the US were they had roomed freely for centuries. Today many conservation efforts and public awareness has helped reintroduce wolf packs into many state and national parks across the US and Canada. Montana with one of the largest wolf populations in the US has seen an increase of eight percent in 2010. This increase while significant only brings the total to only two hundred and twenty mating pairs in the state and only seven hundred and fifty across the mid west.

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 The biggest champions of increasing the wolf population back into many areas are the Western Wildlife Conservancy (WWC) and the Defenders of Wildlife Organization (DWO). These wolf conservation groups through fund raising, lobbying and public awareness have helped decrease  hunting and poisoning of this creature and support laws protecting this endangered animal. It is the ultimate goal of both these organizations to protect the species as well as the habit in which it they roam.

Many people today are also learning about the life of the wolf through the arts. The renewed interest in wolf conversation has inspired many nature artist and sculptors to take a second look at this wonderful animal and the life it lives. Wildlife artist and photographer William Ervin has taken and published hundreds of photographs of this animal. His award winning art and the positive spin he has put on these animals has made millions of people aware of the plight of this animal..

Recently wildlife sculptor Kitty Cantrell introduced “Devotion”. A  wolf statue that depicts a wolf  couple in a loving and tender moment in time. This wolf statue and many others depict the wolf as a loving, caring and noble animal. A big contrast as how the world portrayed this animal only a few years earlier.

 While many organizations lobby Washington to protect the wolf and its natural habitat. It has been through photography, fine art, posters of wolves and wolf statues that has changed the perception of the wolf in US. Showing the wolf in a positive light has helped the survival of these creatures and has helped bring them back from the brink of total extinction in the US.     

Video portfolio of my photographs with music. “Presence, Seeing the Sacred in Texture and Form”. Unaltered large format camera images of bodies and textures. www.paulmahder.com
Video Rating: 4 / 5

Choose Custom Metal Picture Frames For Fine Art Photographs

Custom metal picture frames make the perfect choice for framing fine art photographs.  When you have glorious photos that are uniquely sized, you will want to invest in custom picture frames to suit their aspect and show them off.  When selecting custom metal picture frames, you will have your choice of metal widths and depth and that, along with an appropriate mat board, will complete the look of your fine art photography and allow you to show it at a gallery or in your home.

Fine art photographers traditionally stick with classic black metal picture frames.  Black metal picture frames will not draw attention away from your artwork, and thus they are a top choice when the photographs will be displayed in an art gallery setting.  Art galleries have many pieces of artwork on display, and the room can start to look very busy and disorganized if there are a wide variety of frames used, which is why they often pick sleek and clean-lined black metal picture frames for all of the artwork on display.  Aluminum picture frames are commonly used in this manner, and they are available for custom order.  

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Fine art photographs are often framed in custom metal picture frames and utilize a wide white mat board for a final border around the photo.  This is an especially attractive choice for black and white photographs, because the wide width of the mat board will help to draw the viewer’s attention to the center of the custom picture frames that hold the artwork.

When ordering custom black metal picture frames, you may select the width and height that you prefer.    Having more depth in the custom picture frames is another means for bringing attention to the artwork inside the center of the frame.

Many artists choose custom aluminum picture frames because of the size of their artwork.  Although ready-made frames are less expensive, they do not always come in the sizes that you need if your artwork is outside of the standard.  If you create large panoramic photos, for example, you may need custom aluminum picture frames sized to fit.  

Choose the metal used for your frames carefully.  The best metals for frames are high-quality aluminum with an anodized finish.  This type of metal will be both durable and beautiful, and makes a great choice for framing artwork.  

Fine art photography suppliers online will have a full range of options for when you want custom metal picture frames for use with your fine art photographs or other types of artwork.

How To Change To Digital Photography

Digital photography strips the pain out of photography in several ways: No film means no mess and less expense. No lenses equals no clutter, and once you get used to using a digital camera, digital photography can even help you take better photos. . Took a photograph you didn’t like? A digital camera lets you review the shot on an LCD screen on the back of the camera right after you snapped it, and delete it.

Are you looking for a fun little camera to take pictures of family celebrations and get togethers? Or, are you more interested in developing your photography skills and becoming proficient at photo shooting and editing? No matter what your photography goal, you want good, clear pictures and a camera that is easy to use.

The four basic styles of digital camera are:

1) Ultra-compact- about the size of a credit card, and fits easily into the front pocket of your jeans.

2) Sub-compact- will fit easily into a shirt pocket.

3) Point and Shoot-normal size camera with more features, and needs a camera bag.

4) Single Lens Reflex (SLR) – high quality camera. It has the look and feel of a 35 mm, with a detachable lens.

Digital cameras give you photos that are extremely portable. You can download your shots to a computer to email or edit with programs like Adobe’s PhotoShop, print them out, or create slideshows – all without having to drop off film and pay for developing it. Some digital cameras even let you shoot quick videos.

Nowadays, even PDAs, cell phones and watches have entered the world of digital photography. Below we’ll talk about the fundamentals of how digital photography works. This will be important when choosing a camera.

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Pixels

A digital image, or photo, is made up of millions of tiny dots. The number of pixels determines the quality – also called the resolution – of the image. With digital photography, when you click the camera’s button, a computer chip called the “charge couple device” (CCD) inside the camera instantly records the location, color, and brightness of each pixel. Put all those pixels together and you have the photograph!

Resolution is an important factor when buying a camera. Higher resolutions cost more, but also result in images that can be enlarged digitally without losing quality. When shopping for a ‘point and shoot’ digital camera to use for fun look for cameras with a resolution between three to five mega pixels will let you print nice quality 4″ x 6″ up to 8″ x 10″ prints.

Batteries

The decision about what type of battery your camera takes is an important one. Alkaline AA batteries don’t hold a charge as long as lithium batteries do, particularly if you are using your flash. However, the ability to purchase AA batteries anywhere can be important, especially if you travel.

Lithium batteries last a long time, but they are expensive to replace. Nickel Cadmium batteries are rechargeable. You must fully discharge them prior to recharging, or you will get very poor performance. Another type of rechargeable battery is the Nickel-Metal Hydride (NiMH). They come in all standard sizes, and last about 400 charges. These are probably your best buy. Lion (Lithium Ion) batteries last about twice as long as the others do, and are usually purchased as an ‘extra’. They are newer, not available in all sizes, and not as widely available as the others are.

Memory

Another important consideration for digital photography is the size of the memory card in the camera. The memory card is what stores your photo inside the camera – think of it as the camera’s hard drive. Digital images of high quality take up a lot of space. You can fit more low-resolution than high-resolution shots on to a single card.

You can carry multiple memory cards, but who wants to line up that perfect shot and realize the camera has suddenly run out of room? If your camera shoots between three to five mega pixels, a memory card with 128 MB to 512 MB should keep you shooting until your fingers get tired.

Some other great features to consider before deciding on your new camera include size and weight. A heavier camera is easier to hold steady, a lighter camera is easier to store and carry. Some cameras offer a multiple exposure option that will let you take a preset number of exposures when you press the button. A self-timer will allow you to automatically shoot a picture after a preset period. The remote control option will let you operate the camera from a distance. Other options include date and time indicators that stamp the image, and display the information when viewing the picture through the camera or software, and sound recording, which lets you add captions to your photos.

Most cameras come bundled with software that allows you to edit your photos. The type of software varies with each camera, and it should be a consideration when buying the camera.

There is no such thing as the ultimate camera. You have to consider your photography goals, your budget and your experience level to determine what camera options will be the best for you.

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Interview with Female Solo Artist Tamara Miller

Canada is fertile soil for quality female solo artists. Home not only to some of the world’s biggest superstars such as Celine Dion, Avril Lavigne and Shania Twain, but also a wealth of vocalists like Sarah McLachlan, K.D. Lang, Alanis Morissette and Nelly Furtado who’ve consistently mixed chart success with critical acclaim. Toronto native Tamara Miller is a new name to look out for, as her song 60 Seconds has been making waves at home and abroad. Recently featured on CBC Radio and on community-campus radio stations across Canada, 60 Seconds was also selected and featured on CTV’s television show, Degrassi: The Next Generation. Tamara’s music has also been ranked high on the charts on 92.5 The X and on Toronto’s CIUT, 89.5 FM.

July 2010 saw 60 Seconds climb to the top of the monthly charts on music and talent competition website MakeAStar.com. The American website not only gives new artists a great forum to expose their music and let the public vote for their favorite songs, but also awards 0 monthly prizes to all the winning talent – rewards that go a long ways to help the careers of young musicians, especially as music sales struggle in the download era.

Recently after her win, Tamara spoke with Make A Star about her song, her lifelong love of music and what inspires her creativity.

Listen to Female Solo Artist winner Tamara Miller sing ’60 Seconds’

MAS: Congratulations Tamara Miller for your song ’60 Seconds’ and the win in the July Female Solo Artist Contest on MakeAStar.com! Tell us how you got started as a singer and how your recording career began.

Tamara: I began playing taking classical piano lessons at six. I loved playing classical music, but I was always more interested in composing and playing contemporary music. I also loved composing pieces for piano and voice and loved to sing! I continued my musical studies at York University in Toronto, where I was awarded an entrance scholarship to attend the Faculty of Fine Arts at the age of 18. I enrolled in a songwriting course that allowed me to experiment. For the final assignment, we had to compose an original piece of music and perform the song for the class. It was such a wonderful experience and it was at that point during my studies that the light bulb went off; this was something that I wanted to do. I began performing my music in various live shows, released my EP – 60 Seconds in 2008, produced by Juno Award winner Ron Lopata (Jacksoul, Simon Wilcox). The CD has been featured on CBC Radio and on community-campus radio stations across Canada. I was also very excited to have my song “60 Seconds” featured on the hit teen drama series, Degrassi: The Next Generation – airing across Canada, US and worldwide.

MAS: That is a stunning accomplishment and well deserved. How did you develop your sound? Are you the primary songwriter, or is it collaborative?

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Tamara: I am often the primary songwriter, but I also really enjoy collaborating with other musicians. I think it’s a fantastic way to see what other people are doing, how other people write, and find different ways of saying the same thing. Sometimes I think artists can get stuck in the same “style of writing” if you are always writing by yourself in the same environment. Co-writing is an excellent way to find new inspiration. I think I developed my sound along the way of studying classical music and finding what inspires me to write (from traveling, to walking by a large open lake, to watching a film etc..). I write and play what comes naturally to me and go from there! I have found that it’s really important to stick to my instincts and stay true to what I want to express.

MAS: What’s the story behind the song you’ve entered in the Make A Star contest?

Tamara: The song that I entered into the Make A Star contest is entitled “60 Seconds” – the title track to my latest CD “60 Seconds,” This is a song about making it on your own, leaving the past behind, and moving forward. I believe 60 Seconds is a journey that all of us at some point in our lives have taken.

MAS: Beautifully expressed- you won by judge and fan votes. How does MakeAStar.com compare with other websites for music fans and musicians?

Tamara: MakeAStar.com is a fantastic medium for artists to learn about each others’ work and for fans from all around the world to become involved in their success! It’s great exposure for artists and for fans to find new music. It just goes to show the amazing impact of the internet and its importance in the music industry. There are so many music sites out there, but I think MakeAStar.com stands out in that it really supports the independent artist and I just love the incentives of points/gift cards for voting for your favorite artist!

MAS: Which musical influences have other people compared you to?

Tamara: I have often been compared to Natalie Merchant and Chantal Kreviazuk.

MAS: What sets you apart from other artists in your genre?

Tamara: I believe I have a unique soft-pop sound both in my music and voice. Sometimes I get “your song can go country” or … “you remind me of this teen pop star” or… “I can hear your song in a Disney film.” It’s so flattering to hear that so many different age groups/ people feel that my music can be marketed in various ways. It’s such a wonderful compliment, and I am just so thankful to be able to share my music. I really enjoy chatting with fans on Facebook and Myspace, so be sure to look me up!

MAS: Who do you get inspiration from or wish to emulate in music and life?

Tamara: My inspiration can come from anywhere at any time! Just last week I picked up a beautiful art book called “Great Escapes Italy.” Immediately, I melted with so many beautiful pictures of Tuscany. I taught music in Italy one summer and it was so nostalgic to look at these photographs. Seeing these beautiful wooden benches, giant fig trees, fresh basil (I love basil — I immediately got flashbacks to my time back in Italy that I forgot about until I saw the picture. I was immediately inspired with these delicious photographs and uplifted from these pages – It’s almost like seeing an old diary you haven’t picked up in a long time. Anything from watching a film, attending a concert, photography — all these things inspire me to think… and then I simply need to write. I love exploring and the curiosity in that inspiration makes me want to play music and express what I’m feeling. I simply have to get it out!

MAS: What are your musical plans for the year ahead?

Tamara: I am excited to announce that I will be releasing my new CD in the fall! The journey has certainly evolved and so has the music. Think 10,000 Maniacs mixed with an indie pop/folk vibe. I recorded the CD in Toronto and there are some fantastic talents accompanying me on the record. I am really looking forward to the CD Release — be sure to stay tuned for upcoming details VERY shortly!

MAS: Who were your favorite musicians as a child?

Tamara: I attended camp for many years and I always loved the sing-songs (sitting around a campfire and singing a bunch of classic songs from If I had a Hammer, Dreamer, to James Taylor…I loved all the classics! I also loved listening to music from plays such as “Little Shop of Horrors” “Les Miserables” “Phantom of the Opera” – and played with various sounds on my keyboard to arrange the pieces – loved to explore with the synthesizer!

MAS: What is the best and worst part about being a musician?

Tamara: I think the best part about being a musician is being able to sit down at a piano or pick up a guitar and just relax and play. I love where the music takes me. It’s so nice to be able to share my music with others. Another great part about being a musician is being able to create something from scratch, watch it develop, and take it outside the “creation room” where it first began and play it for others- that’s the greatest feeling in the world. Being able to create something that no one else has created is itself very rewarding. I love seeing where the music will take me next! It is a tough business, but I think if you have the drive, love, and will to keep going, there’s really nothing that anyone can do to get in your way – just stay focused!

MAS: Thank you Tamara Miller for your eloquent words and music. Now tell us something completely random.

Tamara: I love melting chocolate in the microwave and dipping it in fruit! **60 SECONDS AVAILABLE ON ITUNES, AMAZON FIND ME ONLINE @ MYSPACE: www.myspace.com/tamaramiller

Framing Fine Art

When people consider buying a work of fine art, they usually focus on what kind of artwork they prefer – whether sculpture, painting or photography would be best for the space they have in mind – and then the details of what would be right within the medium, for example whether to choose a wooden sculpture or a metal one, an abstract painting or a figurative one.

All of these decisions are important, and getting them right is the only way to end up with something you’re really happy with at the end of the day. It’s worthwhile taking your time, discussing with friends or family, and going around galleries or searching online, such as on Art-Mine.com, to see what’s out there.

However, once all of these decisions have been made, there is often another decision, which is also important but often not given the consideration it deserves. That is the question of framing. Of course, this generally won’t arise if you’ve chosen a sculpture for your room, but paintings and photographs, for example, do usually require framing.

The kind of frame you choose will have more of an impact than you might think. It actually influences the impression of the work itself, and how it looks on the wall and the kind of atmosphere the piece as a whole contributes to the room. For this reason, it’s important to choose the right frame – right for the piece, right for the room, and right for you.

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In some ways, picking a frame is a personal decision in the same sort of way buying art is something special to each individual. Some people can’t stand gilt frames, or anything ornate, while others hate thin frames, or dark ones. Never choose something you’re not going to be happy to see on your wall every day.

However, there are also aspects of the artwork that need to be taken into account. Not every frame will suit your piece – for example, sometimes a detailed, visually complex work will be best set off with a plain frame, as an intricate one will only detract from what’s most important – the work itself.

Your own sense of what is appropriate will be valuable here, but for guidance or for an indication of what sorts of factors are worth considering, you can speak to the person or organization you bought the work from. An artist will be able to tell you what he or she imagined for the piece when they created it, and although this isn’t necessary binding, it’s definitely something to consider. Similarly, a dealer or gallery director will be able to explain the formal considerations they take into account when framing works in their own space. They’ll also have years of experience which will help them work out what’s suitable and what’s not.

Another aspect to consider – and to let the artist or director know about if you’re talking to them about the issue – is the wall that the painting is going on. If it’s a yellow wall, for instance, you might not want a light wooden frame, as the colors might not show the painting or print to advantage. Or, if it’s a relatively small wall, you might not want to go for a thick frame, which could clutter your visual space. Take a photo of the space in question, and show it to the person you’re asking for advice, so that they have an idea of what to suggest.

Art, Photography & Reproduction

It is nothing new. Commercialism maybe somewhat more aggressive now than in Rembrandts day, but the studios of his era were just as equally skilled at producing the same painting many times over, than a digitally enhanced limited edition of today’s genre.

The question it raises is that as technology moves apace where is the ‘line drawn’ between what could be described as an artists preparation and that which is computer generated origination? More specifically does it matter?

One could argue that artists have always sought to enhance their work and utilizing today’s technology is no different to the past. The fact is that what can be achieved today is far greater than anyone could have possibly imagined even 20 years ago.

It really all comes down to how you define what is art and what constitutes an artists preparation.

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Projection and scaling tripods through to Obscura cameras were commonly used in the works of many of the ‘masters’, so why should using photoshop be viewed any differently.

Photography and art are like two cousins, related disciplines. But that ignores the fact that painting was the ‘photography’ of its day. Royal courts would send ambassadors with realistic miniature portraits for prospective suitors, in much the same way as a photographic portfolio captures the lines and cheekbones for a model agency.

People often forget where they have ‘come from’ and this is also true of all types of art including abstract art and contemporary art. It was as much about advertising, marketing and politics as the beauty or skill of its creator.

To me the use of any technique or process by the artist must be seen as part of the work and methodology. Surely the point is this. It is not the technique or process that is important, it is how you use them. Indeed there is a whole separate area of creativity here.

A good artist will always try something new. They will embrace techniques and use them to ‘create’ and whilst a purist may not agree, they do so out of ignorance to the past.

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What Makes A Photography Gallery Special

Most people’s photographs will never be mistaken for art photography. Because cameras are available to most people, they might not consider photography worth of being hung up in a museum. All you have to do is point and shoot, right? Not exactly. Walking through a photography gallery or wing at your local museum is nothing like having to endure your friend’s slides of Bermuda.

Telling a Story

Think about the most memorable photograph you have ever seen – whether in the newspaper, in a book or in photography gallery. What was is that was so special? For a lot of people, great photographs tell entire stories or reveal entire lives in one image. Although these pictures can be taken by accident, often they are taken through the eyes of someone with a story to tell. Walking through a photography gallery is a bit like paging through a short story anthology.

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The images selected to hang in a photography gallery aren’t just interesting compositions or shapes. They might be entirely what you think a bad picture would be. Images in Photography galleries can be blurred, unfocused, off-center or poorly lit. But the images in a photography gallery not only show the story of what that image is about and, most tellingly, they tell the story of the photographer behind the lens.

Perception Through the Lens

We all long to express ourselves in some way. Many people choose to express themselves through the use of the arts. Almost all professional photographers develop their own photographs in order to ensure you see what they see. Words can easily be misinterpreted and forgotten. But images, such as the ones in a photography gallery, stay in your mind for a very long time.

We see this all the time in advertising photographs (which sometimes do pop up in a photography gallery or two). You are meant to see only the effects that one product or service brings. The picture doesn’t show you all of the problems the employees might be having or the effect the product or service might have on the environment. We only see the positive, which can be done in surprisingly ingenious and quirky ways.

A photography gallery might blur the line between real life and art, but that is its goal. Despite all of the technology and skill into every image, the ultimate interpreter of each picture is you. Your input is the last sentence in the story.

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